In the tradition of such masterpieces of historical fiction as Mary Renault's "The King Must Die" East German writer Christa Wolf movingly retells the story of the fall of Troy - but from the point of view of the woman whose visionary powers earned her contempt and scorn. Written as a result of the author's Greek travels and studies, "Cassandra" speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis. Incisive and intelligent, the entire volume represents an urgent call to examine the past in order to insure a future.

This "tour de force of analysis" (Joel Agee) examines the life and work of the prolific, visionary writer, painter and critic. Kemp finds in Ruskin's life -- which spanned the same years as Queen Victoria's and thus embodied the Victorian era itself -- a faithful mirror of the history and psychological evolution of his age.

Goethe was a master of the short prose form. His two narrative cycles, "Conversations of German Refugees" and "Wilhelm Meister's Journeyman Years, " both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, "Conversations of German Refugees" deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, "Wilhelm Meister's Journeyman Years, " is a sequel to "Wilhelm Meister's Apprenticeship" and to "Conversations of German Refugees" and is considered to be his most remarkable novel in form.

The Israeli analytical psychologist Erich Neumann, whom C. G. Jung regarded as one of his most gifted students, devoted much of his later writing to the theme of creativity. This is the third volume of Neumann's essays on that subject. Neumann found his examples not only in the work of writers and artists--William Blake, Goethe, Rilke, Kafka, Klee, Chagall, Picasso, Trakl--but as well in that of physicists, biologists, psychiatrists, and philosophers. Confronting the problem of portraying men and women as creative beings, Neumann expanded the concepts of Jungian psychology with a more comprehensive definition of the archetype and a new concept--"unitary reality." Whether or not humanity can be restored to health from its present situation as a self-endangered species depends, according to Neumann, on whether we can experience ourselves as truly creative, in touch with our own being and the world's being. The six essays comprising this volume--"The Psyche and the Transformation of the Reality Planes," "The Experience of the Unitary Reality," "Creative Man and the 'Great Experience,'" "Man and Meaning," "Peace as the Symbol of Life," and "The Psyche as the Place of Creation"--all originated as lectures at the Eranos Conferences in the years 1952 to 1960. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Israeli analytical psychologist Erich Neumann, whom C. G. Jung regarded as one of his most gifted students, devoted much of his later writing to the theme of creativity. This is the third volume of Neumann's essays on that subject. Neumann found his examples not only in the work of writers and artists--William Blake, Goethe, Rilke, Kafka, Klee, Chagall, Picasso, Trakl--but as well in that of physicists, biologists, psychiatrists, and philosophers. Confronting the problem of portraying men and women as creative beings, Neumann expanded the concepts of Jungian psychology with a more comprehensive definition of the archetype and a new concept--"unitary reality." Whether or not humanity can be restored to health from its present situation as a self-endangered species depends, according to Neumann, on whether we can experience ourselves as truly creative, in touch with our own being and the world's being. The six essays comprising this volume--"The Psyche and the Transformation of the Reality Planes," "The Experience of the Unitary Reality," "Creative Man and the 'Great Experience,'" "Man and Meaning," "Peace as the Symbol of Life," and "The Psyche as the Place of Creation"--all originated as lectures at the Eranos Conferences in the years 1952 to 1960. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Parting from Phantoms" is a window into the soul of the most prominent writer of the German Democratic Republic and its most famous export, Christa Wolf. The essays, diary entries, and letters in this book document four agonizing years in Wolf's personal history and paint a vivid portrait of the cultural and political situation in the former German Democratic Republic. This collection stands as an important testimony to the personal and cultural costs of German reunification.
"The works in this book constitute an essential document of the history of reunified Germany, and this alone recommends it to scholars and those interested in current European events."-- "Publishers Weekly"
"Christa Wolf was arguably the most influential writer of a nation that no longer exists. . . . "Parting from Phantoms" traces the fever chart of her anguish. . . . In some ways, the rawness of the present volume is its greatest contribution, and its bona fides--testifying to the human cost of deception and self-deception."--Todd Gitlin, "Nation"
"A thrilling display of ideological soul-searching."--Ilan Stavans, "Newsday," Favorite Books of 1997